{"product_id":"salter-spinks-malcolm-js-bach-cpe-bach-concertos-for-two-keyboards-195253-pasc034","title":"SALTER, SPINKS, MALCOLM J.S. Bach \u0026 C.P.E. Bach: Concertos for Two Keyboards (1952\/53) - PASC034","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eJS BACH\u003c\/span\u003e\u003c\/b\u003e \u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eConcerto in C minor for two claviers, BWV1060\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cb\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eCPE BACH\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003e\u003cspan style=\"font-size: 18px;\"\u003eDouble Concerto in E-flat major, Wq47\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecor\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eded in 1952 and 1953\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal Duration: 34:0\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003e4\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eLionel Salter, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003ekeyboard\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e Charles Spinks, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003ekeyboard\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e George Malcolm, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003ekeyboard\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003e The London Baroque Orchestra\u003c\/span\u003e\u003cbr\u003e \u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eConductor:\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003e Karl Haas\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5fBill Rosen's Review578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5fThe humanity, the deep joy, the spirituality gets to me578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f\u003cp\u003eThis recording fascinates for several reasons. First it shows that well before the \"original instruments\" movement of the late 1960's, Bach was played with great musical taste, informed intelligence and love. Second the contrast between the styles of Bach senior and his most famous son is very great and merits some discussion.\u003cbr\u003e\u003cbr\u003eThe performance of Bach senior may seem a bit slow, used as we are to the jog trotting of Andrew Parrott and Trevor Pinnock. But the performance really grows on you! The humanity, the deep joy, the spirituality gets to me. The insouciance and devil-may-care of Bach junior makes one want to laugh aloud.\u003cbr\u003e\u003cbr\u003eCarl Phillip was a dutiful son who made his father very proud as he became court composer to Frederick the Great. He also played a major role in creating the rococo, galant style which utterly destroyed his father's style well before his father's death and helped bury his name except as a pedagogue for 75 years. One wonders how Bach's sons can have been so little touched by their father's work.\u003cbr\u003e\u003cbr\u003eHearing the two works in such a beautiful remastering, with the son we enjoy a delightful party; whereas the father gives us a brief glimpse of eternity.\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC034.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp class=\"body\" align=\"left\"\u003eThere is no doubt that music ran in the blood of the Bach family. \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e, stands as one of the towering musical geniuses of all time, whilst his second son, \u003cstrong\u003eCarl Philipp Emanuel\u003c\/strong\u003e inherited probably the largest share of his father's talent.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eHere we offer the listener an opportunity to sample these two composers side-by-side in very similar circumstances - double concertos for two keyboards and orchestra. J.S. uses strings alone in his orchestration, whereas C.P.E. employs a slightly fuller orchestra, with the addition of two horns and two flutes.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eDespite this being a father and son operation, the two works are separated by a full sixty years - the earlier work was written for a performance in Leipzig in 1729 and is firmly rooted in the Baroque era, whilst the latter, one of C.P.E. Bach's last works, was written in Hamburg in 1788, and sits astride the Roccoco and early Classical schools.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eIn these recordings, both rated with maximum double-stars in the British fifties collector's bible, \u003cem\u003eThe Record Guide\u003c\/em\u003e, the instruments used are contemporary instruments based on a 1778 harpsichord by Kirkman and a Stein fortepiano commonly in use in the period 1770-90 and highly praised by Mozart.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eThis superb restoration by Peter Harrison brings out what the aforementioned \u003cem\u003eRecord Guide\u003c\/em\u003e describes as \"A delicious work in the \u003cem\u003egalant\u003c\/em\u003e manner, which delightfully pits against each other the dying harpsichord and the new-born forte-piano\" beautifully.\u003c\/p\u003e\n\u003cp class=\"body\" align=\"left\"\u003eThose with a keen ear will note the sudden drops to extreme silence between movements - this is not some trick on the restorer's part to try and reduce hiss from the original taped recording, but is in fact how the record was released; what remains between movements is what little is left of the vinyl surface noise after processing and remastering. Although there is a temptation in circumstances like this to generate tape hiss artificially to create a \"bridge\" between movements, we have preferred to be true to the original recording.\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cb\u003eJ.S. BACH \u003c\/b\u003eConcerto in C minor for Two Harpsichords and Strings, BWV 1060\u003cbr\u003eRecorded 14 October, 1952, London\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLionel Salter,\u003c\/b\u003e harpsichord\u003cbr\u003e\u003cb\u003eCharles Spinks,\u003c\/b\u003e harpsichord\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eC.P.E. BACH\u003c\/b\u003e Concerto in E flat for Harpsichord, Fortepiano and Orchestra, Wq 47\u003cbr\u003eRecorded 23-24 March, 1953, London\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLionel Salter,\u003c\/b\u003e fortepiano\u003cbr\u003e\u003cb\u003eGeorge Malcolm,\u003c\/b\u003e harpsichord\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe London Baroque Orchestra\u003cbr\u003e \u003c\/b\u003eConductor:\u003cb\u003e Karl Haas\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan style=\"font-family: Geneva,Arial,Helvetica,san-serif;\"\u003e\u003cspan style=\"color: #000000; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cbr\u003eReleased as Parlophone Odeon PMA 1009 \u003cbr\u003e\u003cbr\u003e Duration 34'04\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC034.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC034.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Mono 16-bit FLAC","offer_id":54932280148307,"sku":"lvz1789301569703","price":8.68,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/1833\/9155\/files\/salter-spinks-malcolm-js-bach-cpe-bach-concertos-for-two-keyboards-195253---pasc_1.jpg?v=1789301578","url":"https:\/\/lovevividclad.shop\/products\/salter-spinks-malcolm-js-bach-cpe-bach-concertos-for-two-keyboards-195253-pasc034","provider":"luckagni","version":"1.0","type":"link"}