{"product_id":"cantelli-in-new-york-vol-2-beethoven-schumann-vivaldi-strauss-creston-1956-pasc510","title":"CANTELLI in New York, Vol. 2: Beethoven, Schumann, Vivaldi, Strauss, Creston (1956) - PASC510","description":"overviewfb55cd020f0643f08418183279e63a5f\u003cp\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003ePiano Concerto No. 4\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eBEETHOVEN  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003ePiano Concerto No. 5\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eSCHUMANN \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eSymphony No. 4\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eVIVALDI  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eL'Estro Armonico: Concerto Grosso No. 11\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eR. STRAUSS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eDon Juan\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cb\u003e\u003cspan style=\"font-size: 18px;\"\u003eCRESTON \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 18px;\"\u003eDance Overture\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eRecorded in 1956\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cspan style=\"font-size: 12px;\"\u003eTotal duration:  2hr 23:36\u003c\/span\u003e\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eWilhelm Backhaus, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003epiano\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eWalter Gieseking, \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003epiano\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003cspan style=\"font-size: 16px;\"\u003eNew York Philharmonic-Symphony Orchestra\u003c\/span\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eConducted by \u003c\/span\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eGuido Cantelli\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9review_titlefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_quotefb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9review_bodyfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9main_samplefb55cd020f0643f08418183279e63a5fsamples\/PASC510.mp3578a9379d1e540bd96d26f03a79628d9tab1_labelfb55cd020f0643f08418183279e63a5fProducer's Note578a9379d1e540bd96d26f03a79628d9tab1_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab1_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eThese recordings were sourced from generally very high quality tape\nrecordings. Despite some electrical hum and the occasional buzzing, both\nof which have largely been dealt with, only the very occasional\nincidence of mild, and short-lived dropout in any way troubled the\nreproduction. XR remastering has greatly improved the listening\nexperience, with a fuller, clearer and cleaner sound. I have edited out some of the longer sections of Jim\nFassett's original CBS radio commentary, most of which was largely irrelevant to the concerts.\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAndrew Rose\u003c\/b\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab1_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_labelfb55cd020f0643f08418183279e63a5fFull Track Listing578a9379d1e540bd96d26f03a79628d9tab2_typefb55cd020f0643f08418183279e63a5ftrack_listing578a9379d1e540bd96d26f03a79628d9tab2_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003e1 \u003cb\u003eConcert 1\u003c\/b\u003e: Introduction   (0:17)\u003cbr\u003e\u003cbr\u003e2\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eCRESTON \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eDance Overture, Op. 62 \u003c\/span\u003e (12:02)\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eSCHUMANN  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eSymphony No. 4 in D minor, Op. 120\u003c\/span\u003e\u003cbr\u003e3 1st mvt. - Ziemlich langsam - Lebhaft  (8:53)\u003cbr\u003e4 2nd mvt. - Romanze (Ziemlich langsam)  (3:38)\u003cbr\u003e5 3rd mvt. - Scherzo (Lebhaft)  (5:04)\u003cbr\u003e6 4th mvt. - Langsam - Lebhaft - Schneller - Presto  (8:33)\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eBEETHOVEN  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003ePiano Concerto No. 4 in G major, Op. 58\u003c\/span\u003e\u003cbr\u003e7 1st mvt. - Allegro moderato  (17:28)\u003cbr\u003e8 2nd mvt. - Andante con moto  (4:45)\u003cbr\u003e9 3rd mvt. - Rondo - Vivace  (11:06)\u003cbr\u003e\u003cb\u003eWilhelm Backhaus \u003c\/b\u003e    piano\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e1 \u003cb\u003eConcert 2\u003c\/b\u003e: Introduction  (1:00)\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eVIVALDI  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eL'Estro Armonico: Concerto Grosso in D minor, Op. 11, No. 3, RV565\u003c\/span\u003e\u003cbr\u003e2 1st mvt - Allegro  (1:20)\u003cbr\u003e3 2nd mvt - Adagio Spiccato e Tutti  (0:45)\u003cbr\u003e4 3rd mvt - Allegro  (3:57)5 4th mvt - Largo e Spicato  (4:00)\u003cbr\u003e6 5th mvt - Allegro  (5:11)\u003cbr\u003e\u003cbr\u003e\u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eBEETHOVEN  \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003ePiano Concerto No. 5 in Eb major, Op. 73 \"Emperor\"\u003c\/span\u003e\u003cbr\u003e7 1st mvt. - Allegro  (19:38)\u003cbr\u003e8 2nd mvt. - Adagio un poco mosso  (6:58)\u003cbr\u003e9 3rd mvt. - Rondo  - Allegro  (10:49)\u003cbr\u003e\u003cb\u003eWalter Gieseking\u003c\/b\u003e     piano\u003cbr\u003e\u003cbr\u003e10 \u003cb\u003e\u003cspan style=\"font-size: 16px;\"\u003eSTRAUSS \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-size: 16px;\"\u003eDon Juan, Op. 20\u003c\/span\u003e  (18:13)\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNew York Philharmonic-Symphony Orchestra     Guido Cantelli\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\u003cp\u003eXR remastering by Andrew Rose\u003cbr\u003e\u003cbr\u003eCover artwork based on a photograph of Guido Cantelli\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConcert No. 1\u003c\/b\u003e\u003cbr\u003eCBS Radio Broadcast\u003cbr\u003eIntroduced by Jim Fassett\u003cbr\u003eCarnegie Hall, 18 March, 1956\u003cbr\u003e\u003cbr\u003e\u003cb\u003eConcert No. 2\u003c\/b\u003e\u003cbr\u003eCBS Radio Broadcast\u003cbr\u003eIntroduced by Jim Fassett\u003cbr\u003eCarnegie Hall, 25 March, 1956\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTotal duration:  2hr 23:36   \u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab2_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_labelfb55cd020f0643f08418183279e63a5fCover Art578a9379d1e540bd96d26f03a79628d9tab3_typefb55cd020f0643f08418183279e63a5fcover_art578a9379d1e540bd96d26f03a79628d9tab3_contentfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/thumbs\/PASC510.jpg578a9379d1e540bd96d26f03a79628d9tab3_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_cover_download_s3_locationfb55cd020f0643f08418183279e63a5fcovers\/PASC510.pdf578a9379d1e540bd96d26f03a79628d9tab3_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab3_sample6_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_labelfb55cd020f0643f08418183279e63a5fAdditional notes578a9379d1e540bd96d26f03a79628d9tab4_typefb55cd020f0643f08418183279e63a5fcontent578a9379d1e540bd96d26f03a79628d9tab4_contentfb55cd020f0643f08418183279e63a5f\u003cp\u003eWhen [Cantelli] returned to New York in March his first concerts included appearances with Wilhelm Backhaus. In all probability he was already feeling the stress of being held to his contract when he arrived in New York and this was exacerbated when he sensed that the members of the orchestra were being somewhat lackadaisical when accompanying Wilhelm Backhaus during the rehearsal of Beethoven’s Piano Concerto No.4.\u003cbr\u003e\u003cbr\u003eJerome Toobin, who had become the manager of the self-governing Symphony of the Air (the successor to the NBC Symphony Orchestra) and who entertained hopes that Cantelli would become its principal conductor if sufficient finance could be raised had been invited to have lunch with the conductor in his small suite in Essex House and told to stay until Cantelli returned from the rehearsal. As recounted in his book he was looking at Cantelli’s score of \u003ci\u003eCosi fan tutte \u003c\/i\u003ewhen the conductor came in looking desperate.\u003cbr\u003e\u003cbr\u003eHe ripped off his topcoat, threw it across the room and shouted \u003ci\u003e‘What ‘oomiliation, such — such — such ‘oomiliation. It is too much. I cannot stand this. I tell you, I can’t stand this.’\u003c\/i\u003e And he sat down and buried his head in his hands. I said something about taking it easy or relaxing or something, but he was past simple ministrations.\u003cbr\u003e\u003cbr\u003e\u003ci\u003e‘These men. They do not like me — good. I am not to like, you know. Nobawdy (Toscanini also said nobawdy and everybawdy) likes me. I am not to like. But to sit before a great artist like Backhaus and scratch at the strings, no vibrato, no feeling just like this.’ And he raised an imaginary violin and imitated the first measures of the fourth Beethoven concerto — right after the piano’s unaccompanied opening — conveying uninterested, bland, dead, dull playing. ‘No, it is too much. And Backhaus knew. He knew. Everyone knew. It was terrible. Terrible. I cannot do this. It is too much’\u003c\/i\u003e And there — right there — Cantelli resolved to call Bruno Zirato.\u003cbr\u003e\u003cbr\u003eAccording to Toobin Cantelli called Zirato, the manager of the orchestra, asking again to be released from his contractual obligations for the concerts in the coming winter and quoting not only his forthcoming work with the Orchestra della Scala but also the fact that his wife was expecting their first child. However, the major reason was his complete lack of rapport with the orchestra’s personnel. The telephone call started calmly, then excitedly and finally angrily in Italian which Toobin had little problem in following even though his Italian was somewhat limited. His request had been rejected for the second time.\u003cbr\u003e\u003cbr\u003eHe put the phone down and looked at me, tears bright in his eyes. ‘He says no. He says I am too sensteeve. He says I am not strong. He says — he says no, and he will not listen to me.’\u003cbr\u003e\u003cbr\u003eWhatever traumas had been experienced by the highly sensitive Cantelli during rehearsal appear to have evaporated by the time the broadcast performance took place and all three works have been preserved. Furthermore, in the April issue of Musical America the critic (RS) had this to say about the performance of the concerto:\u003cbr\u003e\u003cbr\u003e\u003ci\u003eHis conception of Beethoven’s Fourth Piano Concerto was one of simple grandeur, tempered by lyrical eloquence and delicacy. Rhythmically and in every other way it was superbly shaped and executed, and he played the work as if he had composed it himself, with absolute dedication. Cantelli and the orchestra provided a solid and emotionally vital accompaniment.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eFrom  \"\u003cb\u003eGuido Cantelli - Just Eight Years of Fame\u003c\/b\u003e\" by Keith Bennnett, GC Publishers, 2009\u003cbr\u003e\u003c\/p\u003e578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_thumbnail2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_cover_download_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample1_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample2_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample3_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample4_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample5_s3_locationfb55cd020f0643f08418183279e63a5f578a9379d1e540bd96d26f03a79628d9tab4_sample6_s3_locationfb55cd020f0643f08418183279e63a5f","brand":"Pristine Classical","offers":[{"title":"Ambient Stereo 24-bit FLAC","offer_id":54932315177299,"sku":"kre1789302064807","price":25.25,"currency_code":"GBP","in_stock":true},{"title":"Ambient Stereo 16-bit FLAC","offer_id":54932315210067,"sku":"sib1789302064808","price":16.59,"currency_code":"GBP","in_stock":true},{"title":"320kbps Ambient Stereo MP3","offer_id":54932315242835,"sku":"hah1789302064809","price":14.62,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1068\/1833\/9155\/files\/cantelli-in-new-york-vol-2-beethoven-schumann-vivaldi-strauss-creston-1956---pas_1_362f4f37-ce4f-435f-9978-f5fd0f4a8257.jpg?v=1789302094","url":"https:\/\/lovevividclad.shop\/products\/cantelli-in-new-york-vol-2-beethoven-schumann-vivaldi-strauss-creston-1956-pasc510","provider":"luckagni","version":"1.0","type":"link"}